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She was born Bessie Amelia Emery in a mental hospital in Pietermaritzburg, South Africa, on July 6, 1937. This is a short story about a woman who commits manslaughter and is sent to jail. Trenton: Africa World Press, 1990. Works About Bessie Head. Abrahams, Cecil.
Dikeledi Mokopi is protagonist and an oppressed wife in this short story. Brown, Caroline. Bessie Head explored the effects of racial and social oppression and used the theme of exile in her novels and short stories. Analysis of Bessie Head’s Novels.
Bessie Amelia Emery Head, known as Bessie Head (6 July 1937 – 17 April 1986), was a South African writer who, though born in South Africa, is usually considered Botswana's most influential writer. 28: 1 (2008) 93-108. Bessie Head is one of the best-known African woman writers who wrote in English. Bessie Head tells the story of a woman (Margaret) of the San ethnicity (Masarwa is now pejorative) whose brilliance leads to a conflict between two Batswana princes over her affection and leads the way for the redemption of her people. Comparative Studies of South Asia, Africa and the Middle East. The Tragic Life — Bessie Head and Literature in South Africa.
She was of mixed race, and she experienced discrimination both in her birthplace of South Africa and in her adopted land of Botswana. She wrote novels, short fiction and autobiographical works … Bessie head’s another work ‘‘The collector of treasure’’, is also a dramatic indictment of the male’s thought and actions in her culture towards women.
Bessie Head’s (6 July 1937 – 17 April 1986) writing occupies a transitional place in African literature between the domestic, village-centered writing of the 1950’s and 1960’s and the more overtly political and urban writing—much of it written by exiles in…
By Nasrullah Mambrol on March 25, 2019 • ( 0).
In the case of Bessie Head, her novels reflected a life set in Africa's racially tense culture, where she was not seen as either black or white. Bessie Head's works are frequently featured in courses in African literature, third-world literature, and fiction writing, but there is little critical material on them.
”A Divine Madness: The Secret Language of Trauma in the Novels of Bessie Head and Calixthe Beyala”. The book draws a parallel between white on black racism and the black on black ethnocentrism.