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It is now exhibited at the Uffizi.
1290-95 Tempera on wood Uffizi Gallery, Florence, Italy Provenance: Church of the Holy Trinity, Florence The central figures derive from the eastern Virgin Hodegetria iconographic type. The Santa Trinita Maestà by Cimabue was once at the high altar of the church, and was later moved to a side chapel. The Santa Trinita Maestà is a painting by the Italian medieval artist Cimabue, dating to c. 1290–1300. The frame is decorated with twenty-six painted medallions depicting Christ and four angels, as well prophets and saints. The church has approximately 20 chapels, many with masterworks. Cimabue - Maestà di Santa Trinita - Google Art ProjectFXD.jpg 2,008 × 3,596; 3.94 MB Cimabue - The Madonna in Majesty (detail) - WGA04935.jpg 920 × 804; 146 KB Cimabue 036.jpg 2,024 × 1,741; 364 KB The Santa Trinita Maestà (Italian: Maestà di Santa Trinita) is a painting by the Italian medieval artist Cimabue dating to c. 1280-1290. The frame is decorated with twenty-six painted medallions depicting Christ and four angels, as well prophets and saints. The most significant are the Sassetti and the Bartolini Salimbeni chapels. She gestures toward the child with her right hand, while Christ raises his hand in a priestly pose of blessing, an … Cimabue, Maestà or Santa Trinita Madonna and Child Enthroned, 1280-90, tempera on panel, 385 x 223 cm (Galleria degli Uffizi, Florence) Learn More on Smarthistory La Maestà di Santa Trinita (Vierge à l'Enfant au trône et les anges) est un tableau peint par Cimabue en tempera sur panneau de 385 × 223 cm, conservée au musée des Offices de Florence, visible et mise en regard dans la même salle (salle n o 2 dite salle des Maestà), avec deux autres Maestà de référence : la Madone Rucellai de Duccio et la Vierge d'Ognissanti de Giotto As recorded by 16th century sources from the Vallombrosan church of Santa Trinita in Florence, the panel (1280-90) was originally on the main altar.
It is housed in the Uffizi Gallery of Florence central Italy.
As recorded by 16th century sources from the Vallombrosan church of Santa Trinita in Florence, the panel (1280-90) was originally on the main altar. The Santa Trinita Maestà by Cimabue was once at the high altar of the church, and was later moved to a side chapel. This is one of Cimabue's early works, painted in about 1280, well before the Maestà di Santa Trinità (Florency, Uffizi). The Santa Trinita Maestà is a painting by the Italian medieval artist Cimabue, dating to c. 1290–1300.
Santa Trinita Maestà. Cimabue's only documented work is the apse mosaic of 'Saint John the Evangelist' in the Duomo (cathedral) in Pisa of 1301 and 1302. Chapels.
TRUE or FALSE: Cimabue's Santa Trinita Madonna uses a single, unified viewpoint. Originally painted for the church of Santa Trinita, Florence, where it remained until 1471, it is now housed in the Uffizi Gallery of Florence, Italy.
This spectacular and innovative Maestà that Cimabue created would certainly have brought new attention and prestige to the Vallombrosan at Santa Trinita. The Santa Trinita Maestà a painting by the Italian medieval artist Cimabue, dating to c. 1290–1300.
Chapels. The Santa Trinita Maestà (Italian: Maestà di Santa Trinita) is a painting by the Italian medieval artist Cimabue dating to c. 1280-1290. La Maestà di Santa Trinità è una tempera su tavola che misura 385 x 223 cm, databile tra il 1280 e il 1290.
The most significant are the Sassetti and the Bartolini Salimbeni chapels. Originally painted for the church of Santa Trinita, Florence, where it remained until 1471, it is now housed in the Uffizi Gallery of Florence, Italy. It is now exhibited at the Uffizi. At an unknown date, probably around 1280, the Florentine artist Cimabue painted a celebrated Maestà for the church of Santa Trinita in Florence. The smaller painted panels at the bottom of Duccio's Maesta decorate the … Originally painted for the church of Santa Trinita, Florence, where it remained until 1471, it is now housed in the Uffizi Gallery of Florence, Italy (in 1810 it passed into the Galleria dell'Accademia Fiorentina and, in 1919, into the Uffizi). It is housed in the Uffizi Gallery of Florence central Italy.